asylum-art:

At Joshua Liner Gallery, New Works from Tiffany Bozic.

For this work, Bozic remembers a trip to Mount Lassen, California, with her husband. Recalling the experience—even though several years had passed—Bozic finally sat down to create this painting, remembering her imagination of “deep sea organisms slowly drifting up into the sky from the black current of the water.” She also notes, “I suppose the image stuck with me because it could be a metaphor for a lot of my different emotions… some light and warm, some deep and cold.” The contrasting tones and shades lend themselves to this mood, with negative dark space and dark trees emerging from the solid white snow forms. The ethereal sea shapes preside over the scene.

In an attempt to relay her consciousness’ perspective, this body of work is a rich account of Tiffany Bozic’s incredible encounters with nature. Bozic describes the source of her inspiration as a “complex and inexplicable world.” However, with Qualia, Bozic’s world is within reach and beautifully discrete.

1965 Notes

lamelancoly:

Man Ray -Nancy Cunard, vers 1925

lamelancoly:

Man Ray -Nancy Cunard, vers 1925

(via mssapphire)

164 Notes


LIV TYLER, KATE MOSS and  JOHNNY DEPP  

LIV TYLER, KATE MOSS and  JOHNNY DEPP  

(Quelle: nearlyvintage, via lhlovelyeuphoria)

34341 Notes

fuckyeahpreraphaelites:

The Fisherman and the Siren (Detail) Frederic Lord Leighton

fuckyeahpreraphaelites:

The Fisherman and the Siren (Detail)
Frederic Lord Leighton

(Quelle: c0ssette, via andreworionshaw)

9126 Notes

3691 Notes

universalmonsterstribute:

The Mummy’s Tomb (1942)

universalmonsterstribute:

The Mummy’s Tomb (1942)

(via moon-prism-galliano)

364 Notes

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v3l3nomortale:

Miou Takaya

v3l3nomortale:

Miou Takaya

(via triggercircus)

650 Notes

juntarophoto:

Filmphoto/Last night/

小雨降る帰り道。

(via xoxotoheart)

225 Notes

asylum-art:

Cincinnati 2014 -David Benjamin Sherry

David Benjamin Sherry: Western Romance proposes a conversation between history and contemporary art, combining in one gallery space recent works by Sherry with masterpieces of American landscape photography. Through selection and thoughtful juxtapositions, the installation also presents a conversation between artist and curator, maker and historian.

David Sherry’s photographs attempt to reinvigorate a long tradition of Western landscape photography, taking as their starting point works by the great masters of American photography, such as Carleton Watkins, Timothy O’Sullivan, Ansel Adams, Edward Weston and Minor White. They also attempt to reinvigorate

http://www.fotofocusbiennial.org

(via asylum-art)

1086 Notes